I have to admit to being very lucky during this pandemic. I still have my job, nobody close to me has contracted the virus and my routine has adapted well to the changes. Yes, I am missing seeing people (I’m even missing the smell of the gym) but I would say that overall I’ve been fortunate.
It says a lot about how I have been impacted by this crisis is that the cruelest blow was the cancelling of Eurovision. This is an occasion I rate in importance with my birthday and Christmas, so hearing that it had been taken from us all was a hard loss.
To their credit, the EBU sprang into action with alternative programming, the pinnacle of which was Eurovision: Europe Shine a Light. It consisted of the presenters in an empty studio playing snippets of this year’s entries and talking to stars of the past. Graham Norton was also offering commentary, but there was no crowd and no winner.
In many respects, the most disappointing aspect was just how little time was spent of this year’s songs. Just 30 seconds was played on each, which when you consider the crafting that went into each of them feels a little tight. I don’t think we needed the heartfelt message at the end of each clip, although credit to Iceland for going their own way with that as well as the song.
The satellite links were a little clunky as well, but that can be forgiven. They actually worked better than they do in the grand final. Again, though, they dragged on. Honouring 2020 songs seemed to be a lot lower down the agenda than it should have been.
At least Graham’s commentary was as robust as ever. Particular highlights were his review of Serbia’s entry (‘Serbia’s answer to the Pussycat Dolls, if the question is “who isn’t quite as good as the Pussycat Dolls?”‘) and his response to being asked where he was when the UK last won Eurovision in 1997 (“probably face down in a bar somewhere”).
So what would I have done? Well, I’m glad you asked. Ran the contest still, but allowed acts to send an official video or live performance. Still had the semis and the final, but the winner, rather than hosting next year, gets first dibs on hosting a special Eurovision concert. The songs get a proper airing, we all stop speculating on who would have won and the winner gets something.
If the EBU want to call me any time, I’m available.