Archives for posts with tag: animation

TV is rubbish over Christmas. The desire to please a broad, captive audience means that the mainstream thrives at the expense of anything interesting. No Christmas special of Killing Eve for those of us who loved it, at least not this year. Instead, updates of Poirot (albeit supposedly grittier), accompanied by the usual Call the Midwife and Mrs Brown’s Boys.

No wonder I have turned to the Planner, where, in a Christmas miracle, I found dozens of episodes of Bob’s Burgers. I have declared my love for it before, but with so little else on I am unashamed in doing so again.

One of the key things I love about it is that, in what seems to be an increasing rarity in comedy (animated or live), the characters actually love each other. I have got to the point with Family Guy and American Dad! Where I have stopped buying into them as loveable but dysfunctional. They just have pushed each other all too far.

But not the Belchers. There is genuinely a united front in the family and a sense of support for each other, even with the craziest of ideas. I know I may be reading a little too much into a cartoon, but it is a massive mood boost not to watch a family that brims over with resentment.

This means you can focus on the plot and the lines, both of which are at the top of their game. Again, some comedies by now in their lifecycle go for bigger targets and overreach. Suspension of belief is fine but there is a definite sense at times that they are going for plot at expense of humour. With Bob’s Burgers I can still buy into that this is just the regular adventures of a family.

The show isn’t scared of making the audience pay attention either. It can at times shoot rapid fire lines between the characters (Gene in particular goes for off the cuff remarks that you could miss if diverted) and that is one of the joys.

Of course, the greatest two characters are and always will be Tina and Louise. The former is an introvert dying to be an extrovert and fiercely individualistic. She is a hero to anyone who just wants to be themselves and finds themselves half in/half out of the popular group. Louise, meanwhile, is beautifully cynical and strongminded. She is one of my favourite characters from any show ever.

My last point in praise for the show is that even the minor characters are well drawn out (pardon the pun). They may only get a few minutes in an episode once or twice a year, but you still know them. Two of my favourites are Felix, the brother of Mr Fischoder, and Gayle, Linda’s sister, both of whom have the kind of nuance some shows struggle to get into their main characters, never mind secondary ones.

This show has got me through Christmas. It might even need to get me through January at this rate. Mind you, there are worse things. I could actually have to talk to my own family.

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Sometimes I wonder rather than genres of TV we should just have two categories: “investment” and “disposable”. Investment TV is anything you need to watch regularly, say once a week, in order to understand what’s going. In other words, episode 10 will only make sense to those who have dedicated time to the first 9. Disposable TV is where you can dip in and out at will – each episode is self-contained or has minimal references to what went before.

The latter category has your talk shows, panel shows, some sitcoms depending on how much they invest in long-term plotlines, and animated comedies. Don’t get me wrong, you can still binge watch and diligently follow these shows, you just don’t necessarily get a pay-off.

One of my new favourite disposable shows is Bob’s Burgers. I have seen only four episodes and I couldn’t even tell you if they were from the same season or not, but it doesn’t matter. What is important is has it kept me entertained, which it undoubtedly has.

I find it far superior to Family Guy. The gag rate is much higher and it moves along at a quicker pace. Most importantly, it actually feels far less dark-hearted. There seems to be an increased need to make everyone an arsehole in FG, which BB doesn’t have. Instead of maliciousness, the driving force is pure eccentricity.

Everyone can find someone to identify with. I personally want to be Louise, with her constant energy and fearless drive. In the episodes I’ve watched she has brought down playground dictators, been an effective defence lawyer and rescued missing pets. The truth is I am probably Tina. Plain, easily panicked and happy to be in the middle of the road, albeit an eccentric one.

It may not be as edgy or willing to confront social issues as some its rivals, but I feel that it is no less funny. In fact, because it is not distracted by trying to make a point, the humour is allowed to be at the core.

So yes, it is disposable TV. But don’t let that make you think you are not watching high quality. Because you are. It may not be investment TV, but that doesn’t mean it isn’t worthy of your time.

Contrary to some arguments, satire appears to be in robust health. The sketch show has perhaps continued it’s slow death, although Tracey Ullman has giving it a bit of a boost, but panel shows have sprung up to take its place. Having said that, there does seem to be an increasingly blunted edge to their swords, particularly on the BBC, who are having to kiss the arse of a government that overtly hates them.

So it is little surprise then that the brightest future for a satire is a) American and b) animated. The Simpsons arguably started this charge, with South Park and Seth McFarlane’s Family Guy and American Dad following suit. Joining the charge of the laughs brigade is Bordertown, a cousin of the aforementioned of American Dad. It has a similar tone and target, focusing on the ludicrous actions and bewildering popularity of right-wing political movements and their supporters. What AD did to the Republican movement, Bordertown is doing to the hot potato of immigration.

At the centre of the show are two families living in a small town on the US/Mexico border. The Buckwald’s are borderline red-necks. You can imagine them supporting Trump and not batting an eye at the violent mob that swirls around him. The Gonzalez family are Mexican immigrants who have achieved a modest level of success. Most of the humour revolves around the patriarch of the former, Bud, being jealous of the latter’s head of house, Ernesto.

A lot of the jokes hit home in a fairly blunt manner. It’s quite clear that the reason for the Gonzalez’s success is having a better work ethic, entrepreneurial vision and a sincere gratitude for life. Meanwhile, the Buckwald’s are comparatively uneducated, lazy and consumed by material greed. This is, of course, more black and white than reality, but some points still stand. Those who look frustratingly at immigrants climbing past them don’t realise the work the immigrants put in to doing so. Certainly in Britain, the tools are there for everyone to achieve, it’s just that some choose not to and prefer to complain about those that do.

Of course, it’s all well and good making some wise satire, but if it’s not funny it is not going to hit its mark. Thankfully, to me at least, it is. I have laughed several times at each episode so far, which is an achievement in itself. Yes, some of the humour is a little basic, and I am still not a fan of toilet humour. But, overall, I am charmed by it. Reviews suggest I am in a minority, but I’m used to that. Sadly, those of us that look beyond the spin around immigration often are.