It seems weird to be discussing a show as lightweight as 8 Out of 10 Cats, but I have good reasons to. The first is, to put it bluntly, there is little else on TV at the moment that I haven’t analysed to death, although if someone wants to know my thoughts on New Girl for the umpteenth time I am happy to divulge. The other is that it is a prime example of a successful satirical panel show, and is worthy of dissection as a representation of the genre.

I always see Cats as the teenage grandchild of Have I Got News For You that is enjoying its first few trips to the pub with its mates. The jokes are not as deep and there is no Ian Hislop to offer some thought provoking monologue but it shares some basic genetic material. There are the digs at those in power and popular culture, the latter of which hit home more. It is always more convincing when you hear someone under 40 bemoan modern life if you are in that age bracket. Paul Merton dissing, say, Lady Gaga always comes across as the older generation patronising the younger. Rob Beckett doing it feels more genuine.

The change of captains from Sean Lock and Jon Richardson to Beckett and Aisling Bea is welcome. Not that Lock and Richardson weren’t great, but there was a danger of the show slipping in to the very problem described above with Merton and Hislop – complaining about modern life only works if people genuinely believe you are aware of what it is you are commenting on. Besides Beckett and Bea are hilarious. I am a particular fan of Beckett’s long-running insistence that Jamie Oliver has a kid called Spaghetti Pete. It’s not the cleverest of jokes, but you buy into it because it only stretches the truth slightly.

I do think the show shares a limitation with HIGNFY. Both of them in their satire paint an almost consistent negative picture of politics. There are two camps in satirical thought – one that it exists only to ridicule the powerful and the latter that it should offer guidance on how to improve. I belong in the latter. HIGNFY does have Hislop sometimes giving such a patch of light. Cats does not. You could argue that is not the show’s remit, but with it being so youth oriented, and that generation proving to be so crucial in elections (as the last few years have proved), it almost owes us a duty to encourage engagement in social issues. The Last Leg does this so well without being preachy, so it can be done.

Still, as a diversion it does its job and it isn’t the worst way to spend an hour with the TV.

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